Apter-Fredericks

Important 18th & 19th Century Antique Furniture



Mirrors

A Rare Queen Anne Gesso Mirror
A George III Carved Gilt-Wood Mirror
A George III Carved Giltwood Overmantel Mirror
The Ditchley Park Mirror by John Linnell
An Eighteenth Century Chinese Export Reverse Painted Mirror
A Regency Period Convex Mirror with Chinoiserie Decoration
A George III Giltwood Border Glass Mirror
A Regency Period Giltwood and Ebonised Girandole Convex Mirror
A Pair of George III Oval Mirrors
A Pair of George III Adam Period Carved Giltwood Mirrors
A George III Carved Giltwood Mirror
A Superb & Very Rare Pair of Regency Period Carved Giltwood Mirrors
A Most Impressive George II Carved Gilt-Wood Mirror
A Pair of George III Carved Giltwood Mirrors
A Superb Pair of Giltwood Girandoles Attributed to William France
A George III Carved Giltwood Overmantel Mirror
A George III Oval Carved Giltwood Wall Mirror
A Pair of George I Carved Giltwood Mirrors
An Exceptional George III Carved Gilt Wood Oval Mirror
A Regency Period Carved Giltwood Convex Mirror
A Pair of George III Gilt Carton-Pierre Oval Mirrors
A Highly Important George III Carved Giltwood Pier Mirror
A George III Chippendale Period Carved Giltwood Mirror
A Highly Important Georgian Giltwood Mirror Designed By Matthias Lock and Signed by the Carver James Hill
An Unusual Regency Verre Eglomise Mirror
A Regency Period Carved Giltwood Convex Mirror

A Regency Period Carved Giltwood Convex Mirror

Height: 46" 117cm
Width: 31" 79cm

The original convex mirror-plate bordered by a series of decorative motifs including an ebonised reeded slip, saw-tooth motif and the more typical gold balls. To each side of the frame are carved acanthus leaves from which spirally twisted candle-arms extend with brass bobeche and drip pan with cut glass drops.

To the bottom of the frame is further acanthus leaf decoration and to the top is a carved and ebonised eagle perched upon rocks with a most abundant cornucopia to each side.

The mirror exceptional for the range of motifs employed, the crispness of the carving and the overall quality.

English, Circa 1820