Apter-Fredericks

Important English 18th Century Antique Furniture



Mirrors

A George III Carved Gilt-Wood Mirror
A George III Carved Giltwood Overmantel Mirror
The Ditchley Park Mirror by John Linnell
An Eighteenth Century Chinese Export Reverse Painted Mirror
A Regency Period Convex Mirror with Chinoiserie Decoration
A George III Giltwood Border Glass Mirror
A Regency Period Giltwood and Ebonised Girandole Convex Mirror
A Pair of George III Oval Mirrors
A Pair of George III Adam Period Carved Giltwood Mirrors
A George III Carved Giltwood Mirror
A Superb & Very Rare Pair of Regency Period Carved Giltwood Mirrors
A Most Impressive George II Carved Gilt-Wood Mirror
A Pair of George III Carved Giltwood Mirrors
A Superb Pair of Giltwood Girandoles Attributed to William France
A George III Carved Giltwood Overmantel Mirror
A George III Oval Carved Giltwood Wall Mirror
A Pair of George I Carved Giltwood Mirrors
An Exceptional George III Carved Gilt Wood Oval Mirror
A Regency Period Carved Giltwood Convex Mirror
A George I Carved Gesso Mirror
A Pair of George III Gilt Carton-Pierre Oval Mirrors
A Highly Important George III Carved Giltwood Pier Mirror
A George III Chippendale Period Carved Giltwood Mirror
A Highly Important Georgian Giltwood Mirror Designed By Matthias Lock and Signed by the Carver James Hill
An Unusual Regency Verre Eglomise Mirror
An Unusual George III Verre-Eglomise Mirror
Detail of the carving


An Unusual George III Verre-Eglomise Mirror

Height: 56" 142cm
Width: 27" 69cm

Having a carved eagle flanked by stylised urns to the top above a verre eglomise panel depicting Charlotte at Werther's tomb, a famous scene from the novel Die Leiden des jungen Werthers, or, The Sorrows of Young Werther by Goethe. The novel, published in 1774, recounts an unhappy romantic infatuation that came to unfortunate end and was a very popular design motif for a period following the publication of the work. The panel signed and dated; L.Phillips, 1792.

Verre Eglomise: A process of decorating glass by drawing and painting on the reverse side and backing the decoration with metal foil, generally gold or silver leaf. The process credited to Jean-Baptisté Glomy (d.1786) who lived on the Rue de Bourbon. Thomas Sheraton utilised the concept in his designs published in the Cabinet Makers' and Upholsterers Encyclopedia (published 1805). Reference: The Dictionary of English Furniture. Pg 363

English, 1792