Apter-Fredericks

Important 18th & 19th Century Antique Furniture



Memorable Pieces

An Outstanding & Highly Important Side Cabinet Attributed to S. Jamar
An Important George III Mahogany Library Table of Superb Colour & Quality
A Most Exceptional George III Mahogany Serpentine Fronted Chest on Chest
A Magnificent Carlton House Boulle-Inlaid Table Designed for George, The Prince of Wales, The Prince Regent,
A George III Parcel-Gilt and Painted Satinwood Pier Table
A Pair of George III Giltwood Armchairs By Thomas Chippendale
An Important Pair of Regency Period Rosewood Side Cabinets
A Pair of George III Blue John Cassolettes by Matthew Boulton
A George II Walnut Side Chair
A George III Sycamore, Tulipwood Rosewood and Marquetry Pembroke Table
An Outstanding Campana Vase in Blue John or Derbyshire Fluorspar
A Pair of Nineteenth Century Bronze and Ormolu Oil Lamps
A George III Chippendale Period Sidetable
A Rare Queen Anne Blue Japanned Bureau Cabinet
A George III Chippendale Period Carved Mahogany Commode
A Very Rare Pair of Cloisonné Cranes
Saved For The Nation
A George III Rolled Paperwork Box, decorated by Mary Earnshaw of Wakefield in 1795
A George II Period Carved Mahogany Bureau Cabinet Attributed to Giles Grendey
A George III Inlaid Occasional Table in the Manner of Pierre Langlois
A George II Period Pedestal
A Pair of George III Period Satinwood, Decorated and Parcel-Gilt Side Tables
The Spencer Perceval armchair from the Palace of Westminster
A Pierre Langlois Commode
A Pair of Robert Adam designed Giltwood Torcheres
A Rosewood and brass mounted side table by John McLean
A George III Mahogany Card Table in the Manner of Ince & Mayhew
A Jewel in the Crown of Queen Anne Furniture
An Expanding Circular Dining Table by Robert Jupe
A Fine Pair of Harewood And Inlaid Side Tables by William Gates
A Pair of Queen Anne Walnut Stools
A George II Carved Mahogany Side-table Attributed to Giles Grendey
A Very Rare Pair of Queen Anne Giltwood Border Glass Mirrors
A Regency Period Gilt, Ebonised and Decorated Wall Sconce
A Regency Period Hall Seat Attributed to George Bullock
A Pair of Georgian Dolphin 'Slab' Tables in the Manner of James Richards, after the Designs by William Kent
A George III Regency Period Convex Mirror by Thomas Fentham

The following images, taken from our archives, illustrate a small selection of pieces we have handled over the past 60 years and which have given us special pleasure and enjoyment. Either for the pieces themselves, their origins or the collections in which they have been placed.

An Outstanding Campana Vase in Blue John or Derbyshire Fluorspar

An Outstanding Campana Vase in Blue John or Derbyshire Fluorspar

Height: 15" 39cm
Diameter: 9" 22.5cm

The urn has a rollover rim, a waisted body and gadrooned base over a turned socle. Below, the urn stands on a square plinth composed of slate, alabaster and blue john. The fluor spar being a most wonderful selection of colours and superbly striated.

English, Circa 1800

BLUE-JOHN
First recorded in the late 17th Century, Blue-John, or Derbyshire Spar, to note its geological term is a natural coloured fluorspar found near Castleton in Derbyshire, England. The use of this wonderfully coloured mineral became increasingly popular in the second half of the eighteenth century, being fashioned into decorative objects and used for architectural purposes in decorative schemes. One of the first pioneers of this type of work was Robert Adam who is recorded as having used 'Blue John' for inlay in the interiors of nearby Kedleston Hall for Lord Scarsdale.

Whilst this aspect of the use of 'Blue John' is less well known, its use is most celebrated in the work of the Birmingham silversmith and ormolu-manufacturer Matthew Boulton. Boulton wrote to John Whitehurst of Derby in December of 1768 stating that he had 'found a use for Blew John which will consume some quantity of it. I mean that sort which is proper for turning into vases.' In March of the following year Boulton purchased 14 tons s/a cwt of this prized stone from John Platt at Castleton for the then substantial sum of £81 1s.6d. Undoubtedly much of this quantity of stone was destined to be mounted with his exquisitely worked ormolu which has for centuries graced homes in the form of elegant candelabra, urns, candlesticks and perfume burners which are now so highly prized by today's collectors.

Boulton was however not alone in his use of the Derbyshire mineral and there are records listing several further Derbyshire makers in both the late 18th Century and into the 19th Century, including James Shaw and Vallance both of Mattock who produced vases of monumental scale.