Apter-Fredericks

Important 18th & 19th Century Antique Furniture



Memorable Pieces

An Outstanding & Highly Important Side Cabinet Attributed to S. Jamar
An Important George III Mahogany Library Table of Superb Colour & Quality
A Most Exceptional George III Mahogany Serpentine Fronted Chest on Chest
A Magnificent Carlton House Boulle-Inlaid Table Designed for George, The Prince of Wales, The Prince Regent,
A George III Parcel-Gilt and Painted Satinwood Pier Table
A Pair of George III Giltwood Armchairs By Thomas Chippendale
An Important Pair of Regency Period Rosewood Side Cabinets
A Pair of George III Blue John Cassolettes by Matthew Boulton
A George II Walnut Side Chair
A George III Sycamore, Tulipwood Rosewood and Marquetry Pembroke Table
An Outstanding Campana Vase in Blue John or Derbyshire Fluorspar
A Pair of Nineteenth Century Bronze and Ormolu Oil Lamps
A George III Chippendale Period Sidetable
A Rare Queen Anne Blue Japanned Bureau Cabinet
A George III Chippendale Period Carved Mahogany Commode
A Very Rare Pair of Cloisonné Cranes
Saved For The Nation
A George III Rolled Paperwork Box, decorated by Mary Earnshaw of Wakefield in 1795
A George II Period Carved Mahogany Bureau Cabinet Attributed to Giles Grendey
A George III Inlaid Occasional Table in the Manner of Pierre Langlois
A George II Period Pedestal
A Pair of George III Period Satinwood, Decorated and Parcel-Gilt Side Tables
The Spencer Perceval armchair from the Palace of Westminster
A Pierre Langlois Commode
A Pair of Robert Adam designed Giltwood Torcheres
A Rosewood and brass mounted side table by John McLean
A George III Mahogany Card Table in the Manner of Ince & Mayhew
A Jewel in the Crown of Queen Anne Furniture
An Expanding Circular Dining Table by Robert Jupe
A Fine Pair of Harewood And Inlaid Side Tables by William Gates
A Pair of Queen Anne Walnut Stools
A George II Carved Mahogany Side-table Attributed to Giles Grendey
A Very Rare Pair of Queen Anne Giltwood Border Glass Mirrors
A Regency Period Gilt, Ebonised and Decorated Wall Sconce
A Regency Period Hall Seat Attributed to George Bullock
A Pair of Georgian Dolphin 'Slab' Tables in the Manner of James Richards, after the Designs by William Kent
A George III Regency Period Convex Mirror by Thomas Fentham

The following images, taken from our archives, illustrate a small selection of pieces we have handled over the past 60 years and which have given us special pleasure and enjoyment. Either for the pieces themselves, their origins or the collections in which they have been placed.

A Detail of the Pair of Side Tables

A Fine Pair of Harewood And Inlaid Side Tables by William Gates

We recently had the good fortune to visit the Queens' Gallery at Buckingham Palace, an absolute treasure chest of a very select number of the finest of Eighteenth century furniture, porcelain, clocks, paintings etc from the Royal Collection.

Amongst the exceptional pieces were a bookcase by William Vile, a carved giltwood settee by Thomas Chippendale, ormolu and blue john candle vases by Matthew Boulton and, of particular significance to us, a pair of commodes by William Gates.

There can be nothing more satisfying than discovering a documented piece that is identical to a piece in your possession and without doubt the tops on this pair of commodes are a very good match if not by the same hand as the pair of inlaid sidetables we have illustrated.

In 1776-7 George III ordered the construction of a new wing on the north side of Buckingham House which would include a separate apartment for the young Prince of Wales (Later George IV). By 1780 the tradesmen of the Great Wardrobe were supplying a splendid array of new furniture, including a suite of 'party colour'd Japan' chairs and sofa by John Russell and a substantial quantity of expensive marquetry furniture by William Gates, including this pair of 'very fine satin wood inlaid commode tables' and quite possibly our pair of tables.

The quality of these pieces is exceptional, the inlay is precise and intricate and the design flows elegantly through a series of elongated scrolls. Of particular note is the range of woods employed. These include satinwood, tulipwood, amaranth, sycamore, amboyna and harewood. Evidently, no expense was spared. Indeed the pair of commodes cost £80 in 1781.

William Gates is described by the Dictionary of English Furniture Makers as "one of the foremost inlay workers of his day". He probably designed his own pieces but certainly on at least one occasion he worked from a drawing supplied to him by the Prince of Wales.

English, Circa 1780