Apter-Fredericks

Important 18th & 19th Century Antique Furniture



Memorable Pieces

An Outstanding & Highly Important Side Cabinet Attributed to S. Jamar
An Important George III Mahogany Library Table of Superb Colour & Quality
A Most Exceptional George III Mahogany Serpentine Fronted Chest on Chest
A Magnificent Carlton House Boulle-Inlaid Table Designed for George, The Prince of Wales, The Prince Regent,
A George III Parcel-Gilt and Painted Satinwood Pier Table
A Pair of George III Giltwood Armchairs By Thomas Chippendale
An Important Pair of Regency Period Rosewood Side Cabinets
A Pair of George III Blue John Cassolettes by Matthew Boulton
A George II Walnut Side Chair
A George III Sycamore, Tulipwood Rosewood and Marquetry Pembroke Table
An Outstanding Campana Vase in Blue John or Derbyshire Fluorspar
A Pair of Nineteenth Century Bronze and Ormolu Oil Lamps
A George III Chippendale Period Sidetable
A Rare Queen Anne Blue Japanned Bureau Cabinet
A George III Chippendale Period Carved Mahogany Commode
A Very Rare Pair of Cloisonné Cranes
Saved For The Nation
A George III Rolled Paperwork Box, decorated by Mary Earnshaw of Wakefield in 1795
A George II Period Carved Mahogany Bureau Cabinet Attributed to Giles Grendey
A George III Inlaid Occasional Table in the Manner of Pierre Langlois
A George II Period Pedestal
A Pair of George III Period Satinwood, Decorated and Parcel-Gilt Side Tables
The Spencer Perceval armchair from the Palace of Westminster
A Pierre Langlois Commode
A Pair of Robert Adam designed Giltwood Torcheres
A Rosewood and brass mounted side table by John McLean
A George III Mahogany Card Table in the Manner of Ince & Mayhew
A Jewel in the Crown of Queen Anne Furniture
An Expanding Circular Dining Table by Robert Jupe
A Fine Pair of Harewood And Inlaid Side Tables by William Gates
A Pair of Queen Anne Walnut Stools
A George II Carved Mahogany Side-table Attributed to Giles Grendey
A Very Rare Pair of Queen Anne Giltwood Border Glass Mirrors
A Regency Period Gilt, Ebonised and Decorated Wall Sconce
A Regency Period Hall Seat Attributed to George Bullock
A Pair of Georgian Dolphin 'Slab' Tables in the Manner of James Richards, after the Designs by William Kent
A George III Regency Period Convex Mirror by Thomas Fentham

The following images, taken from our archives, illustrate a small selection of pieces we have handled over the past 60 years and which have given us special pleasure and enjoyment. Either for the pieces themselves, their origins or the collections in which they have been placed.

A Pair of George III Blue John Cassolettes by Matthew Boulton

A Pair of George III Blue John Cassolettes by Matthew Boulton

Height: 13" 34cm

Each has an ovoid blue john urn mounted with ormolu rosettes and swags. The chased domed lid is decorated with overlapping leaves and, when reversed, forms a candle holder. The ormolu leaf-cup socle has a swirling base and stands on a moulded square block edged with Greek key pattern decoration. The cylindrical plinth is hung with swags of husks suspended from lions' masks. The whole rests on a circular triple-stepped base.

English, Circa 1770

The Collection of Eric Moller
Thronecombe Park, Surrey.

This model of cassolette is known as the Cleopatra Vase and is believed to have been especially favoured by Boulton's clients. A pair of cassolettes of the same model is illustrated in Nicholas Goodison's Ormolu: The Work of Matthew Boulton,1974, pls. 109-110.

Matthew Boulton (working 1761-1782) was a scientist and inventor who founded a manufactory in Soho, Birmingham in 1761. He designed and produced clocks and decorative objects of a quality never previously achieved in this country. In 1771 a large auction was held at Christie and Ansell's in order to sell his products and the records of this sale provide us with much of the detailed information we have about his work.

Blue john is a coloured crystalline gemstone found only in a single mine at Castleton in Derbyshire. It has a translucent appearance with colours ranging from dark purple and violet to light brown and honey yellow. It was the only English material that could rival the porphyry, jasper and malachite so much admired in Italy on the Grand Tour.

It appears that blue john was first used by Samuel Watson at Chatsworth House between 1690 and 1715. In about 1760 Robert Hall of Castleton, having perfected the art of polishing blue john using a heat process and pine resin, became the first to manufacture items made from blue john on a commercial scale. Blue john soon became world famous and was widely exported to France where the spar was known as bleu jaune and was mounted in ormolu and from where many of the vases and other ornaments were re-exported to England. Robert Adam used blue john and between 1762 and 1775 blue john vases, candelabra and cassolettes, mounted in ormolu, were produced by Matthew Boulton at his Soho works near Birmingham. Indeed Queen Catherine the Great purchased blue john vases, clocks and an obelisk from Matthew Boulton between 1772 and 1774.