A Matching Pair of George III Mahogany Commodes by Henry Hill of Marlborough
Height: 33 ¼" 84.5cm & 34 ½" 87cm
Width: 48" 122cm & 50" 127cm
Depth: 25" 63.5cm & 24" 61cm
In the French taste, with serpentine top above a conforming case, one with a brushing slide above three drawers and a scalloped waved apron, the other with a writing slide to the top drawer. The angles with ormolu foliate chutes trailing to scrolling sabots.
English, Circa 1760
These elegant commodes are designed in the George III 'picturesque' fashion, and evolved from 'French Commode Table' patterns in Thomas Chippendale's The Gentleman and Cabinet-Maker's Director, 1754 (pls. XLIII and XLV). They have distinct stylistic and constructional features that appear in a group of commodes that are among both the documented and attributed work of Henry Hill of Marlborough, Wiltshire, who was active as a cabinet-maker from circa 1740 until his death in 1778. The fine, book matched veneers, distinctive scalloped apron and the continuous ormolu mounts to the side angles appear on several commodes in the Lady Lever Art Gallery attributed
to Hill and discussed by L. Wood in Catalogue of Commodes, London, 1994, no. 4, pp. 64-73. Some, including the present commodes, also share identical constructional features such as the use of pine bottomed drawers as well as the more unusual continuation of the cock-beading on the drawer sides to cover the dovetails (op. cit., p. 66, fig. VI).
Though Hill's furniture commissions were largely from Wiltshire families, they were among some of the most sophisticated patrons of the era. Payments amounting to £227.10s.3d from the 9th Duke of Somerset in 1770-71 could have included the marquetry commode supplied for Maiden Bradley (bid, p. 71, fig. 55) as well as a practically identical example attributed to Hill and sold by the 9th Duke's descendents at Christie's, London, 28 November, lot 120. Paul Methuen of Corsham Court was another patron whose purchases from 1764 and 1771 included 2 Mahogany French Commodes banded with Rose Wood and wrought brass Corners at £13 13s.' (L. Wood, "Furniture for Lord Delaval,", Furniture History, 1993, p. 206). The most documented commissions were for Sir John, later Lord Delaval, who was also a patron of the royal cabinet-maker John Cobb. Delaval was unique in that his commissions were for his London house. Correspondence between Hill and Delaval includes three separate proposals, which outline specific options for commodes and most likely had design sketches. Further correspondence and banking records show that two proposals resulted in specific commissions for two commodes as well as two wardrobes delivered in November and December 1776 which have as yet to be identified (ibid, pp.203-4).
 "A Matching Pair of George III Mahogany Commodes by Henry Hill of Marlborough")