Apter-Fredericks

Important 18th & 19th Century Antique Furniture



Chests / Cabinets

A George III Hepplewhite Period Mahogany Cabinet of Exceptional Colour and Patination
A Pair of Regency Period Premier & Contra Partie Inlaid Cabinets
A George III Mahogany Commode of Unusual Form
A Regency Period Rosewood & Parcel-Gilt Side-Cabinet
A Very Fine George I Walnut Chest on Stand
A George I Walnut Chest on Chest otherwise known as a Tallboy
A George III Collector's Cabinet
A Matching Pair of George III Mahogany Commodes by Henry Hill of Marlborough
A Pair of Regency Parcel-Gilt Corner Shelves
A George II Walnut Serpentine Front Commode
A Queen Anne Walnut Veneered Bachelor's Chest.
A George II Burr Walnut Kneehole Chest
A Pair of George III Breakfront Cabinets
A Regency Period Rosewood Side Cabinet
A George III Harewood & Marquetry Commode in The French Manner
The Hinton House Commodes Attributed to Ince & Mayhew
A Rare George I Burr Yew Wood Chest of Drawers
A Regency Period Rosewood Side Cabinet
A Magnificent George III Inlaid Harewood & Serpentine Shaped Commode
A George II Walnut Serpentine Front Commode

A George II Walnut Serpentine Front Commode

Height: 34 ¼" 87cm
Width: 43 ¼" 110cm
Depth: 26" 66cm

The white marble top above four long graduated drawers, inlaid throughout with feather banding and of excellent colour and patination.

This commode is distinguished by the use of a marble top, rarely seen applied to English furniture of the mid-18th century, and also its walnut veneers as opposed to the more typical choice of mahogany, favoured by cabinet-makers of the period.

English, Circa 1755

ATTRIBUTION
It would be exceptional to find a positive attribution for such an unusual piece from this period. However, we have found three comparisons that are worth making. The handles closely relate to examples found on a bookcase supplied by Chippendale for Dumfries House (see Christopher Gilbert, The Life and Works of Thomas Chippendale, 1978, 2 vols., vol. II, figs. 63 and 264).

The carved shell motif flanked by acanthus scrolls to the centre of the apron here, is mirrored on a library armchair attributed to Paul Saunders, sold Sotheby's London, 18 November 2008, lot 328.

The carving to the apron of the present commode has affinities with that on a George III fustic and padouk kneehole desk, now tentatively attributed to Wright and Elwick (see Christie's Wentworth Woodhouse, 8 July 1998, p. 112)